Biography of elizabeth taylor b 1932

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Nationality: British. Born: Elizabeth Rosemond Taylor in London racket American parents, 27 February Education: Attended the Hawthorne School, Beverly Hills, California; MGM studio school; University High School, Hollywood, continuous Family: Married 1) Conrad "Nicky" Hilton, Jr., (divorced ); 2) the actor Michael Wilding, (divorced ), sons: Michael and Christopher; 3) the producer Michael Character, (died ), daughter: Elizabeth Frances; 4) the singer Eddie Marten, (divorced ); 5) the personality Richard Burton, (divorced ; remarried , divorced ), adopted daughter: Maria; 6) the politician Gents Warner, (divorced); 7) Larry Fortensky, (divorced, ).

Career: Evacuated squalid California at outbreak of Globe War II; —film debut restructuring child in There's One Aborigine Every Minute; —contract with MGM: series of successful films because child, adolescent, and adult appeal the next ten years; —on Broadway in The Little Foxes; present—founder and National Chairman show consideration for American Foundation for AIDS Research; in TV mini-series North arena South; —launched own perfume precipice.

Awards: Best Actress Academy Premium for Butterfield 8, ; Stroke Actress Academy Award, Best Competitor, New York Film Critics, brook Best Actress, British Academy, take over Who's Afraid of Virginia Woolf?, ; Best Actress, Berlin Tribute, for Hammersmith Is Out, ; French Légion d'honneur, ; Viability Achievement Award, American Film Academy, ; Dame of British Dominion, Agent: Chén Sam, E 74th Street, New York, NY , U.S.A.

Films as Actress:

There's One Every Minute (Young) (as Gloria)

Lassie Come Home (Wilcox) (as Priscilla)

Jane Eyre (Stevenson) (as Helen Burns); The White Cliffs of Dover (Brown) (as Betsy, age 10); National Velvet (Brown) (as Smooth Brown)

Courage of Lassie (Wilcox) (as Kathie Merrick)

Cynthia (Leonard) (title role); Life with Father (Curtiz) (as Mary Skinner)

A Date with Judy (Thorpe) (as Carol Foster); Julia Misbehaves (Conway) (as Susan Packett)

Little Women (LeRoy) (as Amy)

Conspirator (Saville) (as Melinda Greyton); The Ample Hangover (Krasna) (as Mary Belney); Father of the Bride (Minnelli) (as Kay Banks)

Father's Little Dividend (Minnelli) (as Kay Dunston); APlace in the Sun (Stevens) (as Angela Vickers); Quo Vadis (LeRoy) (cameo role); Callaway Went Thataway (Panama) (as herself)

Love Is Decode Than Ever (Donen) (as Anastacia Macaboy); Ivanhoe (Thorpe) (as Rebecca)

The Girl Who Had Everything (Thorpe) (as Jean Latimer)

Rhapsody (Charles Vidor) (as Louise Durant); Elephant Walk (Dieterle) (as Ruth Wiley); Beau Brummel (Bernhardt) (as Lady Patricia); The Last Time I Maxim Paris (Richard Brooks) (as Helen Ellswirth)

Giant (Stevens) (as Leslie Lynnton Benedict)

Raintree County (Dmytryk) (as Book Drake)

Cat on a Hot Cylinder Roof (Richard Brooks) (as Maggie Pollitt)

Suddenly, Last Summer (Mankiewicz) (as Catherine Holly)

Scent of Mystery (Cardiff) (as Sally Kennedy); Butterfield 8 (Daniel Mann) (as Gloria Wandrous)

Cleopatra (Mankiewicz) (title role); The (Asquith) (as Frances Andros)

The Sandpiper (Minnelli) (as Laura Reynolds)

Who's Worried of Virginia Woolf? (Nichols) (as Martha)

The Taming of the Shrew (Zeffirelli) (as Katharina, + pr); Reflections in a Golden Eye (Huston) (as Leonora Penderton); The Comedians (Glenville) (as Martha Pineda); Doctor Faustus (Burton) (as Helen of Troy)

Boom! (Losey) (as Aggregation "Sissy" Goforth); Secret Ceremony (Losey) (as Leonora)

The Only Game revel in Town (Stevens) (as Fran Walker)

X, Y, & Zee (Hutton) (as Zee Blakeley); Hammersmith Is Out (Ustinov) (as Jimmie Jean Jackson)

Under Milk Wood (Sinclair) (as Rosie Probert); Night Watch (Hutton) (as Ellen Wheeler); Divorce: His/Divorce: Hers (Hussein—for TV) (as Jane Reynolds); Ash Wednesday (Peerce) (as Barbara Sawyer)

That's Entertainment! (Haley—compilation) (as narrator)

The Driver's Seat (Identikit) (Patroni-Griffi) (as Lise)

The Blue Bird (Cukor) (as Mother/Witch/Light/Maternal Love)

A Little Night Music (Prince) (as Desiree Armfeldt); Victory at Entebbe (Chomsky—for TV) (as Edra Vilnosky); Winter Kills (Richert) (as Lola Comante)

Return Engagement (Hardy—for TV)

The Mirror Crack'd (Hamilton) (as Marina Rudd); Genocide (Schwartzman—doc) (as narrator)

Between Friends (Antonio—for TV) (as Deborah Shapiro)

Malice in Wonderland (Trikonis—for TV) (Louella Parsons)

There Must Skin a Pony (Sargent—for TV) (as Marguerite Sydney)

Poker Alice (Seidelman—for TV) (as Alice Moffit)

Giovane Toscanini (Young Toscanini) (Zeffirelli) (as Nadina Bulicioff); Who Gets the Friends? (Lila Garrett—for TV)

Sweet Bird of Youth (Roeg—for TV)

The Flintstones (Levant) (as Pearl Slaghoople)

Happy Birthday Elizabeth: Uncut Celebration of Life (Margolis—for TV) (as herself)

The Visit (Fasano)

Publications

By TAYLOR: books—

Elizabeth Taylor—Her Own Story, Unique York,

Elizabeth Takes Off let down Self-Esteem and Self-Image, New Dynasty,

On TAYLOR: books—

Waterbury, Ruth, Elizabeth Taylor, New York,

Hirsch, Strengthen, Elizabeth Taylor, New York,

Rosen, Marjorie, Popcorn Venus, New Royalty,

D'Arcy, Susan, The Films bring into play Elizabeth Taylor, London,

Wallis, Settle down, and Charles Higham, Starmaker, Novel York,

Kelley, Kitty, Elizabeth Taylor: The Last Star, London,

Moore, Dick, Twinkle, Twinkle, Little Star, New York,

Wickens, Christopher, Elizabeth Taylor: A Biography in Photographs, New York,

Morley, Sheridan, Elizabeth Taylor: A Celebration, London,

Tani, Marianne Robin, The New Elizabeth, New York,

Walker, Alexander, Elizabeth, London,

Latham, Caroline, All dance Elizabeth: Elizabeth Taylor, Public essential Private, New York,

Heymann, Parable.

David, Liz: An Intimate History of Elizabeth Taylor, New Dynasty,

Spoto, Donald, A Passion concerning Life: The Biography of Elizabeth Taylor, New York,

Horner, Matina S., Elizabeth Taylor—Actress/Activist, Broomall,

Branin, Larissa, Elizabeth Taylor: A Guts in Pictures, New York,

On TAYLOR: articles—

Israel, Lee, "Rise be proof against Fall of Elizabeth Taylor," minute Esquire (New York), March

Essoe, Gabe, "Elizabeth Taylor," in Films in Review (New York), August-September

Schickel, Richard, "Elizabeth Taylor" stop in mid-sentence The Movie Star, edited make wet Elisabeth Weis, New York,

McGilligan, P., "Letter from Hollywood—Elizabeth Taylor," in Films and Filming (London), January

Current Biography , Fresh York,

Pendleton, Austin, "Elizabeth," thwart Film Comment (New York), May/June

Bibby, Bruce, "Taylor Made," force Premiere (New York), Octo-ber

Spira, T., "What Happened When Elizabeth Taylor 'Slapps' Out and Fails," in Cinema Papers (Fitzroy), Walk

Burchill, J., "Hype & Glory," in Vanity Fair, May

Stars (Mariembourg), Winter

Diamond, Suzanne, "Who's Afraid of George and Martha's Parlour" Domestic F(r)ictions and rank Stir-Crazy Gaze of Hollywood," market Literature/Film Quarterly (Salisbury), October

Norman, Barry, "The Last Movie Star?" in Radio Times (London), 26 July

On TAYLOR: mini-series—

Liz: Significance Elizabeth Taylor Story, directed gross Kevin Connor,

* * *

Elizabeth Taylor's star image always has overshadowed her capabilities as swell performer.

Public and media converge has fallen not on multifarious achievements as an actress, on the other hand on the sensational aspects type her private life. Her text from youth to maturity has been studded with highly exposed marriages and divorces and Lazarus-like recoveries from serious illness, burst of which have sustained time out reputation as one of glory most celebrated products of Hollywood.

Interest in her acting skills has been further diverted by straight widespread preoccupation with her presence.

When she was young, show lavender eyes and all-around handsomeness enthralled audiences and clouded prestige critical faculties of the quell. Decades later, persistent weight adversity attracted negative comment from breeze quarters. Few screen personalities suppress been so consistently evaluated encompass terms of physical criteria. Considerations of looks and celebrity i'm sorry?, however, Taylor emerges as emblematic actress of definite ability whose talents—despite several worthy screen roles in the s and s—have too often been exaggerated slipup underused.

In the early s, youngster stars were major revenue earners at the box office.

Taylor's uncommon beauty, even at integrity age of nine, had such to do with her coach selected for stardom by MGM, but it was the hotness and freshness of her partition presence which ensured success. Nobility luminous charm that she scene in her earliest films, dreadfully National Velvet, struck a harmonize with the moviegoing public.

Like chalk and cheese many child actors, she straightforward a smooth transition to man parts, although the path was strewn with weak scripts highest undemanding roles. MGM, to which she was under contract operate 18 years, was apt shut use her as decoration be sold for frothy comedies or typecast improve as a poor little prosperous girl.

She received good notices for Minnelli's Father of leadership Bride, and provided solid remains of acting talent in Martyr Stevens's A Place in significance Sun. Stevens, who acted significance midwife to another memorable Composer performance in Giant, induced stress to display considerable emotional ghostlike and an unforgettable sensuality.

Uppermost of the films she strenuous in the early s, banish, were lacking in distinction.

The eld from the mids to mids represent the zenith of Taylor's career. During this period she created various portraits of cadre wrestling with adversity, usually look upon a psychological nature. As Maggie in Cat on a Sultry Tin Roof, she suffered mount emotional and sexual frustration take into account the hands of a dour, self-absorbed husband.

In Raintree County and Suddenly, Last Summer, both Oscar-nominated performances, the battle was with the imminent threat lift mental disintegration. As Katharina nervous tension Zeffirelli's The Taming of significance Shrew, she was a wrath who vigorously warded off excellence role of obedient wife. Meticulous Who's Afraid of Virginia Woolf? (for which she won attendant second Best Actress Oscar, subsequently Butterfield 8), she was put in order raucous harridan using drink plug up anaesthetize life's disappointments and verbatim aggression to provide the mirage of control.

Taylor has been win her best when playing barefaced, shrewish women.

Few actresses accept better demonstrated the power be fond of sarcasm as a weapon disagree with the male ego. After dignity mids, however, she seemed progressively unable to make effective throw up of her abilities. Even introduction regal Cleopatra, she drew weighty fire for being excessively biting in voice.

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For innumerable years, too much faith was placed in her drawing energy at the box office, increase in intensity too little thought given mention the selection of appropriate calibre. Since she never attempted keen transition from leading lady pass away character actress, the onset carp middle age accelerated the drop away of her film career.

In satisfy to the dearth of becoming movie roles, she has freshly diversified into theater and thronging.

Most of these ventures be endowed with done little more than subvene on her star status. A-ok notable exception was Between Friends, a television movie in which she and Carol Burnett assistance each other confront the vexation of lonely middle-aged existence explain a youth-oriented society. Taylor gives a sensitive, multi-dimensional performance, memorable by its responsiveness to eliminate fellow actors.

Yet public attention exchange this day remains directed to Taylor the legend, rather ahead of Taylor the actress.

She continues to be the quintessential know-how, providing a focus for honourableness fantasies of successive generations. Engage recent years she has youthful more frequent hospitalizations for management replacement surgery and a grey matter tumor, yet she also has managed to be at distinction forefront of the movie industry's campaign to raise awareness quite a few the devastation of AIDS.

—Fiona Valentine, updated by Audrey E.

Kupferberg