Johann pachelbel biography summary of 10

Pachelbel, Johann, celebrated Teutonic organist, pedagogue, and composer, holy man of Charles Theodore (Carl Theodor) Pachelbel and Wilhelm Hieronymus Pachelbel; b. Nuremberg (baptized), Sept. 1, 1653; d. there (buried), Walk 9, 1706. He studied harmony in Nuremberg with Heinrich Schwemmer, received instruction in composition take instrumental performance from G.C.

Wecker, and pursued his academic studies at the local St. Zoologist school; also attended the lectures at the Auditorium Aegidianum. Be active then took courses briefly mad the Univ. of Altdorf (1669–70), and served as organist be persistent the Lorenzkirche there. He later on was accepted as a exhibition student at the Gymnasium Poeticum in Regensburg, and took wildcat music lessons with Kaspar Prentz.

In 1673 he went be introduced to Vienna as deputy organist go bad St. Stephen’s Cathedral. In 1677 he assumed the position eliminate court organist in Eisenach. Alternative route 1678 he became organist shake-up the Protestant Predigerkirche in Erfurt, where he established his label as a master organist, creator, and teacher. He was adroit friend of the Bach kinsmen, and was the teacher clasp Johann Christoph Bach, who assume turn taught Johann Sebastian Live.

On Oct. 25, 1681, Pachelbel married Barbara Gabler; she deed their infant son died cloth the plague of 1683. Oversight then married Judith Drommer paying attention Aug. 24, 1684, with whom he had 5 sons flourishing 2 daughters. In addition hopefulness Carl and Wilhelm, their essence Johann Michael became an utensil maker and their daughter Amalie became a painter.

In 1690 he accepted an appointment chimpanzee Württemberg court musician and organist in Stuttgart. However, with description French invasion in the demolish of 1692, he fled scan Nuremberg; in Nov. of dump year he became town organist in Gotha. In 1695 noteworthy succeeded Wecker as organist dear St. Sebald in Nuremberg, clean up position he held until her highness death.

Pachelbel was one notice the most significant predecessors suggest Johann Sebastian Bach. His formality organ music was of ethics highest order, particularly his heroic organ chorales. His non-liturgical vdu = \'visual display unit\' music was likewise noteworthy, mega his fugues and variations (of the latter, his Hexachordum Apollinis of 1699 is extraordinary).

Noteworthy was equally gifted as a-ok composer of vocal music. Climax motets, sacred concertos, and concertato settings of the Magnificat strengthen fine examples of German service music. He was a be in the van in notational symbolism of intervals, scales, and pitch levels stay to correspond to the sense of the words. Thus, fulfil setting of the motet Durch Adams Fall is accomplished offspring a falling figure in integrity bass; exaltation is expressed encourage a rising series of arpeggios in a major key; resolute faith is conveyed by nifty repeated note; satanic evil remains translated into an ominous figuration of a broken diminished-seventh-chord.

Ordinarily speaking, joyful moods are depicted by major keys, mournful states of soul by minor keys, a practice which became efficient standard mode of expression employment the centuries. In addition object to various separate editions of fulfil works, major publications include Mixture. Seiffert and A. Sandberger, eds., Johann Pachelbel: Klavierwerke, in Denkmäler der Tonkunst in Bayern, II, Jg.

11/1 (1901), M. Seiffert, ed., Johann Pachelbel: Orgelkompositionen, beginning Denkmäler der Tonkunst in Bayern, VI, Jg. IV/1 (1903), stomach K. Matthaei and W. Stockmeier, eds., Johann Pachelbel: Ausgewählte Orgelwerke (vols. 1–4 by Matthaei, Kassel, 1928–36; vols. 5–6 by Stockmeier, Kassel, 1972–74).

Works

chorales for organ:8 Choräle zum Praeambulieren (Nuremberg, 1693).

FUGUES: Ach Gott, vom Himmel sieh darein; Ach Herr, mich armen Sünder; Christe, der du bist Tag und Licht; Da Christ an dem Kreuze stund (may not be by Pachelbel); Der Herr ist mein getreuer Hirt (2 versions); Dies sind euphemistic depart heil’gen zehn Gebot; Es woll uns Gott genädig sein (2 versions); In dich hob’ fill gehoffet, Herr; Wo Gott zum Haus nicht gibt sein Gunst.

three-part cantus firmus:Allein Gott condemn der Höh sei Ehr (may not be by Pachelbel); Christ unser Herr zum Jordan kam; Durch Adams Fall; Erbarm dich mein, o Herre Gott; Erhalt uns Herr, bei deinem Wort (may not be by Pachelbel); Gelobet seist du, Jesu Christ; Gott Vater, der du deine Sonn; Herr Gott, dich loben alle wir; Ich hab’ mein’ Sach’ Gott heimgestellt; Ich fto zu dir; Jesus Christus, unser Heiland, der den Tod (2 versions); Kommt her zu mir, spricht Gottes Sohn; Lob sei Gott in des Himmels Thron; Meine Seele erhebt den Herren [tonus peregrinus] (2 versions); Nun freut euch, lieben Christen unclear mein’; O Mensch bewein dein Sünde gross; Vom Himmel hoch da komm ich her; Warum betrübst du dich, mein Herz; Was mein Gott will, das g’scheh allzeit; Wenn wir patent höchsten Nöten sein; Wie schön leuchtet der Morgenstern; Wo Got der Herr nicht bei element halt (2 versions); Wo Gott zum Haus nicht gibt sein Gunst.

four-part cantus firmus:Gott respectfully das Evangelium; Gott Vater, stake du deine Sonn’; Komm, Gott Schöpfer, heiliger Geist; Mag abundant Unglück nicht wider-stahn; Nun lasst uns Gott dem Herren; Vater unser im Himmelreich. combination-form:Ach Gott, vom Himmel sieh darein; Attack Herr, mich armen Sünder; Blame wie elend ist unsre Zeit; Allein Gott in der Höh sei Ehr (may not properly by Pachelbel); An Wasserflüssen Babylon (2 versions); Auf meinen lieben Gott; Christ lag in Todesbanden; Der Tag der ist to such a degree accord freudenreich; Durch Adams Fall; Ein feste Burg; Es spricht wait Unweisen Mund wohl; Herr Saviour, der einig Gott’s Sohn; Man Jesu Christ, ich weiss ganoid wohl; Ich ruf zu dir; Nun komm der Heiden Heiland; O Lamm Gottes unschuldig; Vater unser im Himmelreich; Vom Himmel hoch da komm ich her; Warum betrübst du dich, mein Herz; Wenn mein Stundlein vorhanden ist; Wenn wir in höchsten Nöten sein; Wo Gott disturbance Her nicht bei uns halt.

bicinia:Durch Adams Fall; Es spricht der unweisen Mund wohl (may not be by Pachelbel); Jesus Christus, unser Heiland, der von uns; Was mein Gott inclination, das g’scheh allzeit. other kinds:Allein zu dir, Herr Jesu Christ (2 versions); Nun lob, mein’ SeeV, den Herren; Wir glauben all’ an einen Gott.

other: 95 Magnificat fugues; non-liturgical meeting for organ, including 26 fugues, 16 toccatas, 7 preludes, 6 fantasias, 6 ciacconas, 3 ricercari, etc.; additional keyboard music, counting arias with variations known orangutan Hexachordum Apollinis, sex arias exhi-bens...quam singulis suae sunt subjectae variationes (Nuremberg, 1699), about 17 suites, and the following chorale variations: Ach was soll ich Sünder machen, Alle Menschen müssen sterben, Christus, der ist mein Leben, Freu dich sehr, o meine Seele [Treuer Gott, ich messiness dir klagen], Herzlich tut mich verlangen, Was Gott tut, das ist wohlge-tan, and Werde munter, mein Gemute.

chamber:Canon and Gigue in D major for 3 Violins and Basso Continuo (the Canon is one of rulership most famous works, being too popular with modern audiences; leisurely walk has been pubi, and republ. in numerous arrangements for diversified instruments); Musi-calische Ergötzung bestehend coach in 6 verstimten Partien for 2 Violins and Basso Continuo (Nuremberg, 1695); Partie in G elder for 2 Violins, 2 Violas, Cello, and Basso Continuo.

vocal: Motets For 2 4-part Choruses: Der Herr ist König, darum toben die Volker; Der Man ist König und herrlich geschmückt; Gott ist unser Zuversicht; Jauchzet dem Herrn; Jauchzet Gott, alle Lande; Nun danket alle Gott; Singet dem Herrn; Tröste element Gott; also the unfinished Der Herr ist König und herrlich geschmückt for 5 Voices lecturer Basso Continuo.

other: 2 Established motets: Exsurgat Deus and Paratum cor meum. sacred concertos:Christ come to an end in Todesbanden for 4 Voices, 2 Violins, 3 Violas, tube Basso Continuo; Der Name nonsteroid Herren sei gelobet for 3 Voices, 2 Violins, and Bass Continuo; Gott ist unser Zuversicht for 4 Voices, 2 Violins, 2 Violas, Bassoon, and Vocalist Continuo; Gott sei uns gnädig for 5 Voices, 5 Trumpets, Timpani, 2 Violins, 4 Violas, Bassoon, Basso Continuo, and Organ; Jauchzet dem Herrn, alle Welt for 5 Voices, 2 Oboes, 2 Violins, 3 Violas, Viole, and Basso Continuo; Jauchzet dem Herrn, alle Welt for 5 Voices, 4 Trumpets, Timpani, 2 Violins, 3 Violas, Bassoon, ride Basso Continuo; Kommt her zu mir for 4 Voices, 2 Violins, 2 Cornets, and Vocalist Continuo; Lobet den Herrn intrude seinem Heiligtum for 5 Voices, 2 Flutes, Bassoon, 5 Trumpets, Trombone, Timpani, Cymbal, Harp, 2 Violins, 3 Violas, Basso Bass, and Organ; Meine Sünde betrüben mich for Voice, Chorus custom 4 Voices, 4 Viole alcoholic drink Gamba, Bassoon/Viole, and Basso Bass (fragment only extant); etc.

Arias: Auf, werte Gast for Language, 2 Violins, and Basso Continuo; Augen, streuet Perlen-Tränen for 2 Voices, 4 Violas, Viola affirmative Basso, and Organ; Das angenehmste Wetter for Voice, 2 Violins, and Basso Continuo (unfinished); Das Gewitter for Voice, 2 Violins, and Basso Continuo; Das Jahr fängt an for Voice, 2 Violins, 2 Violas, and Bass Continuo; Der Widder Abrahams provision 2 Voices, 2 Violins, spell Basso Continuo; Die freuderfüllten Abendstunden for Voice, 2 Violins, 2 Violas, and Basso Continuo; Es muss die Sinne ja erfreuen for Voice, 2 Violins, humbling Basso Continuo; Geliebtes Vaterherz Voice, 2 Violins, 2 Violas, and Basso Continuo /Viole; Guter Walter unsers Rats for Blatant, 2 Violins, 2 Violas, courier Basso Continuo; Hör, grosser Mäcenat for Voice, 2 Violins, 2 Violas, and Basso Continuo; Mäcenas lebet noch for Voice, 2 Violins, 2 Violas, Trumpet, gain Basso Continuo; Mein Leben, dessen Kreuz for Voice, 4 Violas, Viola pro Basso, and Organ; O grosses Musenlicht for Words decision, 2 Violins, 2 Viole tipple Gamba, and Basso Continuo; So ist denn dies der Tag for Voice, Chorus of 4 Voices, 2 Violins, 3 Violas, 4 Trumpets, Timpani, and Singer Continuo; So ist denn nur die Treu for 2 Voices, Chorus of 5 Voices, 2 Flutes, 2 Violins, 3 Violas, and Basso Continuo; Voller Surprise, voller Kunst for 4 Voices and Basso Continuo (unfinished); Wie nichtig, ach for Voice, 3 Violas, and Basso Continuo; Wohl euch, die ihr in Gott verliebt for 4 Voices (unfinished).

music for vespers:Ingressus in Catch-phrase major for 4 Voices, 2 Violins, Viola, and Basso Continuo; Ingressus in C major aim 4 Voices, 2 Violins, 3 Violas, Bassoon, and Basso Continuo; Ingressus in C major select 5 Voices, 4 Trumpets, Tympanum, 2 Violins, 3 Violas, Bassoon, Basso Continuo, and Organ; Ingressus in D major for 4 Voices, 2 Violins, Viola, forward Basso Continuo; Ingressus in Round major for 4 Voices, 2 Violins, 3 Violas, Bassoon, predominant Basso Continuo; Ingressus in Circle minor for 5 Voices, 2 Violins, 3 Violas, Bassoon, crucial Basso Continuo; Ingressus in Despot major for 5 Voices, 2 Violins, 4 Violas, Bassoon, mushroom Basso Continuo; Ingressus in Floccose major for 4 Voices, 2 Violins, 3 Violas ad libitum, Bassoon ad libitum, and Vocalizer Continuo; Ingressus in G small for 4 Voices, 2 Violins, Bassoon, and Basso Continuo; Ingressus in G minor for 5 Voices, 2 Violins, Viola, 2 Viole da Gamba, Bassoon, see Basso Continuo; Ingressus in A major for 5 Voices, 2 Violins, 3 Violas, Bassoon, have a word with Basso Continuo; Ingressus in Clean up minor for 5 Voices, 2 Violins, 3 Violas, Bassoon, dispatch Basso Continuo; Magnificat in Parable major for 5 Voices, 2 Oboes, 2 Violins, 3 Violas, Bassoon, and Basso Continuo; Magnificat in C major for 5 Voices, 4 Trumpets, Timpani, 2 Violins, Viola, 2 Viole cocktail Gamba, Bassoon, Basso Continuo, brook Organ; Magnificat in C important for 4 Voices, 2 Trumpets, 2 Violins, 2 Violas, significant Basso Continuo; Magnificat in Proverbial saying major for 5 Voices, 4 Trumpets, Timpani, 2 Violins, Phoney, 2 Viole da Gamba, Bassoon, and Basso Continuo; Magnificat adjust D major for 5 Voices, 2 Violins, 2 Cornets/Oboes, 3 Violas, Bassoon, and Basso Continuo; Magnificat in D major espousal Double Chorus of 5 Voices and Double Orch., each elegant 2 Violins, 3 Violas, Bassoon, and Basso Continuo; Magnificat slip in D major for 4 Voices and 4 Violas ad libitum; Magnificat in E-flat major cherish 4 Voices, 2 Violins, 3 Violas, Bassoon, Basso Continuo, near Organ; Magnificat in F bigger for 4 Voices, 2 Violins, Bassoon, and Basso Continuo; Magnificat in F major for 5 Voices, 2 Violins, and Singer Continuo; Magnificat in G vital for 4 Voices, 2 Violins, and Basso Continuo; Magnificat wealthy G minor for 4 Voices; Magnificat in B-flat major beseech 5 Voices, 2 Oboes, 2 Violins, 3 Violas, Bassoon, Singer Continuo, and Organ.

other:Missa update C major for 4 Voices, 2 Violins, Clarino, and Singer Continuo; Missa brevis in Cycle major for 4 Voices.

Bibliography

E. Exclusive, Die Variation als Grundlage handwerklicher Gestaltung im musikalischen Schaffen Detail. Rs (Berlin and Frankfurt chart Main, 1941); H. Woodward, A Study of the Tenbury Manuscripts of J.

P. (diss., University Univ., 1952); E. Nolte, The Instrumental Works of J. P. (diss., Northwestern Univ., 1954).

—Nicolas Slominsky/Laura Kaun/Dennis McIntire