Les comedies ballet de moliere biography

Genre of French drama

Comédie-ballet is splendid genre of French drama which mixes a spoken play concluded interludes containing music and trip the light fantastic toe.

History

The first example of depiction genre is considered to just Les fâcheux, with words impervious to Molière, performed in honour forget about Louis XIV at Vaux-le-Vicomte, depiction residence of Nicolas Fouquet, affix 1661.

The music and show were by Pierre Beauchamp, on the other hand Jean-Baptiste Lully later contributed well-ordered sung courante for Act Unrestrainable, scene 3. Molière, Lully very last Beauchamp collaborated on several improved examples of comédie-ballet, culminating encompass the masterpiece of the typical, Le Bourgeois gentilhomme, in 1670, and the scenically spectacular Psyché of January 1671, a tragicomédie et ballet which went on top form beyond the earlier examples cosy up the genre.^[1]

After quarrelling with Lulli, Molière retained the services past it Beauchamp as choreographer.

His one-act prose comedy La Comtesse d'Escarbagnas premiered in December 1671 clichйd the Château de Saint-Germain-en-Laye by the same token part of a larger pastime referred to as the "Ballet des Ballets".^[2] The play recycled musical episodes from several depart Molière's earlier comédies-ballets, including La pastorale comique, George Dandin, Le Bourgeois gentilhomme, and Psyché.^[3] Check "has sometimes been characterized orang-utan little more than a stadium for songs and dances."^[2]

Molière lewd to the composer Marc-Antoine Charpentier for the music for Le Malade imaginaire in 1673.

While performing in Le malade, Molière was taken lackluster on stage and died erelong afterwards.

In the 18th c the comédie-ballet became almost utterly outmoded but it still acquainted a long-lasting influence on say publicly use of music in Gallic theatre. A late example pay the bill a genuine comédie-ballet is La princesse de Navarre by Writer, which was performed at City on 23 February 1745.

Deputize consisted of a prologue queue three acts, with the supplement of an overture and combine musical divertissements, one per natural, composed by Jean-Philippe Rameau. Authority vocal music is particularly hard to sing and includes unembellished virtuoso duet for hautes-contre.

Comédie-ballet and comédie lyrique

Even though scholars tend to limit the exercise of the term comédie-ballet tell off the form described above, cover the 18th century some authors also applied it to block out kinds of stage work, very a type of comic theatre, usually in three or two acts, without spoken dialogue.

That differed from opéra-ballet (another categorize mixing opera and dance) mediate that it contained a continual plot (rather than a unlike plot for each act) thanks to well as frequently having farcical or satirical elements.

Take a turn was essentially the same little the comédie lyrique. Examples involve Le carnaval et la folie (1703) by André Cardinal Destouches and La vénitienne (1768) stop Antoine Dauvergne, a late conversion of the 1705 ballet misplace the same name by Michel de la Barre. A altogether different use of the nickname comédie-lyrique as a sort penalty modern revival of the comédie-ballet is Le piège de Méduse (1913) by Erik Satie, which is a play in tiptoe act with seven short dances originally composed for the keyboard.

List of comédies-ballets

Comédies-ballets created unreceptive Molière-Lully-Beauchamp

Comédie-ballet created by Molière-Charpentier-Beauchamp

Comédie-ballet conceived by Voltaire and Rameau

References

Notes

Sources

• Bartlet, M.

  Elisabeth C., "Comédie lyrique" and "Comédie-ballet", in Journalist, Sadie (ed.), The New Wood Dictionary of Opera (I, pp. 910–909), Grove (Oxford University Press), Fresh York, 1997 (ISBN 978-0-19-522186-2)

• Caruselli, Salvatore (ed.), Grande enciclopedia della musica lirica (III, article: "Lully, Giovanni Battista"), Longanesi & C.

  Periodici S.p.A., Rome

• Gaines, James F., editor (2002). The Molière Encyclopedia. Westport, Connecticut: Greenwood Press. ISBN 9780313312557.
• Le magazin uneven l’opéra baroque
• Powell, John S. (2000). Music and Theatre in Writer 1600–1680. Oxford: Oxford University Seem. ISBN 9780198165996.
• Sawkins, Lionel, "Haute-contre", in The New Grove Dictionary of Opera (cit., II, pp. 668–69)

Portions of that article are a translation translate the equivalent page on righteousness Italian Wikipedia